With Red State, Smith ventures far outside his comfort zone of endlessly chatty films about pop-culture-damaged slackers and into exhilaratingly unfamiliar waters. He's taking as many bold chances artistically as he is commercially.. ATL has more room for nuance than most films unfairly lumped under the black-movie label.. Warner Bros.' low-budget stab at capturing an urban niche audience is higher on stylistic dazzle than originality or coherence, making it an unlikely candidate to bust out of ...
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